
It is also called Joel’s Army, Dominionism, the New Breed, and Kingdom Now. Joyner promotes the Latter Rain Manifest Sons of God heresy, which anticipates a revival of end-time miracles whereby chosen believers will usher in the return of Christ. Integrity also publishes music by “prophet musician” KEVIN PROSCH who is closely associated with Rick Joyner of Morningstar ministries, a supposed latter rain prophet. He doesn’t want to be tested by God’s Word. But I may say certain things that you may try to box me in, but I am not trying to propagate any particular eschatology” (“Battle of the Brides,” New Life Church, Nov. Hamon claims that the Laughing Revival (Toronto, Pensacola, Lakeland, Holy Trinity Brompton, etc.) and Promise Keepers are part of this restoration process (Hamon, Apostles, Prophets and the Coming Moves of God: God’s End-Time Plans for His Church and Planet Earth, 1997 The Day of the Saints, p. Hamon holds the latter rain miracle-revival heresy that God will raise up new apostles who will operate in miracle-working power even exceeding that of the first-century apostles who will unite the churches and establish the kingdom of God.


1934) Christian International network of supposed prophetic ministries, which promotes the deception that God is continuing to give revelation through prophets and apostles today. Gay is connected with “apostle” Bill Hamon’s (b. Gay claims that the Holy Spirit gives him visions for his songs, yet we know that these visions are not of God as they are not Scriptural. His songs include “Mighty Man of War,” “No Other Name,” “On Bended Knee,” “More Than Enough.” Gay was a worship leader at Integrity, and Integrity has produced many of his “prophetic” songs. Integrity’s Hosanna! Music worship albums include songs by ROBERT GAY, who records music from alleged prophecies given by charismatic latter rain “prophets.” Gay has written hundreds of choruses, and many of them have been professionally recorded. We believe this is true and it is one of the reasons why contemporary praise music is so effective at transforming the character of staunchly Bible-believing churches. Yet Moen testifies that this “spirit” can be imparted through Integrity music. The Spirit of God doesn’t render pastors incapable of tending their flocks or mothers, their children. Whatever this “revival” is, it is not something that conforms to Scripture. One mother lay on the platform until 1am in the morning “basking in the spirit” until an usher collected her neglected kids, took them home, and put her to bed. Some people had to be carried out of the church. His wife has been unable to cook their food or clean the house. He laid on the church platform for as long as four hours, unable to get up. The pastor at Brownsville, John Kilpatrick, testified that it took him a half hour just to put on his socks when he was drunk with the Brownsville spirit. The “revival” to which he refers was not a biblical revival it was a “revival” in which people become drunk and staggered about and shook uncontrollably and fell down and were unable to perform the most basic functions of life.

The fire of the revival can stir in you even as you listen to the songs that took place at the Brownsville revival” (“Don Moen Discusses Music at Brownsville Assembly,” Pentecostal Evangel, Assemblies of God, November 10, 1996). I don’t want it to sound spooky or mysterious, but there’s something powerful about embracing the music of the revival. Don Moen, the “creative director” for Integrity, described the power of the Laughing Revival music in these words: “Because something is imparted when you listen to this tape. Integrity recorded an album at the Brownsville Assembly of God (home of the strange “Pensacola Outpouring”). Integrity has helped launch the ministries of some of the most influential contemporary worship musicians, such as Darlene Zschech, Lincoln Brewster, Don Moen, Israel Houghton, and Paul Baloche.

T he very influential Integrity Music company (also owns Hosanna Music) arose from the charismatic movement, and the character of the music it spreads to well over 100 countries is worldly and radically charismatic and ecumenical in nature.
